Toutes peintures ā l'huile d'Domenico Fetti


ID Image Painting(From A to Z)    Details 
74603  
Domenico Fetti, Archimedes Thoughtful
 
 Archimedes Thoughtful   1620 Oil on canvas 98 x 73,5 cm cjr
95769  
Domenico Fetti, David
 
 David   circa 1620(1620) Medium oil on canvas cyf
95772  
Domenico Fetti, David
 
 David   circa 1620(1620) Medium oil on canvas cyf
29027  
Domenico Fetti, Ecce Homo
 
 Ecce Homo   mk65 Oil on canves 53 9/16x44 1/16in Uffizi
39621  
Domenico Fetti, Facob-s dream
 
 Facob-s dream   mk150 c.1619
41522  
Domenico Fetti, Girl Reading
 
 Girl Reading   mk164 c.1620 Gallerie dell-Accademia Venice
89676  
Domenico Fetti, Hero and Leander
 
 Hero and Leander   between 1622(1622) and 1623(1623) Medium oil on panel cyf
70754  
Domenico Fetti, hero och leander
 
 hero och leander   cirka 1622-23 pa poppeltra 96x42cm se
92832  
Domenico Fetti, Idealbildnis eines Gonzaga
 
 Idealbildnis eines Gonzaga   um 1620 Medium oil on canvas Dimensions Deutsch: 101 x 88 cjr
95799  
Domenico Fetti, Margherita Gonzaga Receiving the Model of the Church of St Ursula
 
 Margherita Gonzaga Receiving the Model of the Church of St Ursula   circa 1615(1615) Medium oil on canvas cyf
33582  
Domenico Fetti, Melancholy
 
 Melancholy   mk86 c.1620 Oil on canvas 168x128cm Paris,Musee National du Louvre
40424  
Domenico Fetti, Melancholy
 
 Melancholy   mk156 c.1620 Oil on canvas 171x128cm
83752  
Domenico Fetti, Melancholy
 
 Melancholy   Date ca. 1622(1622) Medium Oil on canvas Dimensions 179 x 140 cm (70.5 x 55.1 in) cjr
87669  
Domenico Fetti, Melancholy
 
 Melancholy   1622(1622) Medium Oil on canvas Dimensions 179 x 140 cm (70.5 x 55.1 in) cyf
84610  
Domenico Fetti, Parable of the Lost Drachma
 
 Parable of the Lost Drachma   Date ca. 1618(1618) Medium Oil on wood Dimensions Height: 75 cm (29.5 in). Width: 44 cm (17.3 in). cjr
84665  
Domenico Fetti, Parable of the Lost Drachma
 
 Parable of the Lost Drachma   Date between 1618(1618) and 1622(1622) Medium Oil on wood Dimensions Height: 55 cm (21.7 in). Width: 44 cm (17.3 in). cjr
88459  
Domenico Fetti, Parable of the Lost Drachma
 
 Parable of the Lost Drachma   1618(1618) Medium Oil on wood cyf
88976  
Domenico Fetti, Parable of the Wicked Servant
 
 Parable of the Wicked Servant   c. 1620(1620) Medium Oil on canvas Dimensions 61 x 44,5 cm cjr
39623  
Domenico Fetti, Perseus freeing Andromeda
 
 Perseus freeing Andromeda   mk150 c.1622 Poplar 40.5x72.5cm
74906  
Domenico Fetti, Saint Mary Magdalene Penitent
 
 Saint Mary Magdalene Penitent   1615 Oil on canvas 99 x 77 cm cjr
76461  
Domenico Fetti, Saint Mary Magdalene Penitent
 
 Saint Mary Magdalene Penitent   Date 1615 Medium Oil on canvas Dimensions 99 x 77 cm cyf
87584  
Domenico Fetti, The Parable of the Mote and the Beam
 
 The Parable of the Mote and the Beam   c. 1619 Medium English: Oil on wood Dimensions English: 24 1/8 x 17 3/8 in. (61.3 x 44.1 cm) cjr
90408  
Domenico Fetti, The Parable of the Vineyard
 
 The Parable of the Vineyard   1618(1618) Medium oil on panel Dimensions Height: 76 cm (29.9 in). Width: 45 cm (17.7 in). cyf

Domenico Fetti
Italian painter , Rome 1589 - Venice 1623 was an Italian Baroque painter active mainly in Rome, Mantua and Venice. Born in Rome to a little-known painter, Pietro Fetti, Domenico is said to have apprenticed initially under Ludovico Cigoli, or his pupil Andrea Commodi in Rome from circa 1604-1613. He then worked in Mantua from 1613 to 1622, patronized by the Cardinal, later Duke Ferdinando I Gonzaga. In the Ducal Palace, he painted the Miracle of the Loaves and Fishes. The series of representations of New Testament parables he carried out for his patron's studiolo gave rise to a popular specialty, and he and his studio often repeated his compositions. In August or September 1622, his feuds with some prominent Mantuans led him to move to Venice, which for the first few decades of the seventeenth century had persisted in sponsoring Mannerist styles (epitomized by Palma the Younger and the successors of Tintoretto and Veronese). Into this mix, in the 1620s?C30s, three "foreigners"??Fetti and his younger contemporaries Bernardo Strozzi and Jan Lys??breathed the first influences of Roman Baroque style. They adapted some of the rich coloration of Venice but adapted it to Caravaggio-influenced realism and monumentality. In Venice where he remained despite pleas from the Duke to return to Mantua, Fetti changed his style: his formalised painting style became more painterly and colourful.



Sweden Wholesale Oil Paintings, Stretcher Bars, Picture Frames & Beveled Mirrors